Iceland Writers Retreat

In what I wish was the beginning of a joke, I ate so hard during the Thanksgiving holiday I may have injured my esophagus. Probably a gift from my trip to Vietnam, where one of my anti-malarial pills got stuck in my throat as I went to bed. Suffice to say, I was in quite a bit of discomfort and in the market for some good news when, lo and behold, I was contacted by the Iceland Writers Retreat.

I’m happy to share that I’ve been selected to receive one of five Alumni Awards to attend this workshop. My fellow award winners look to be doing meaningful work, and I am very excited for this opportunity. As a side note, I was a finalist for this award last year, so I recommend that anyone interested in this experience to persevere and keep applying.

For more information, you can find IWR’s release here and see just a few of the amazing people I’ll have the pleasure of meeting this coming April.

Gratitude

Con Thien
The view from Con Thien (The Hill of Angels), looking north across what was once Vietnam’s DMZ.

I have a lot to be grateful for, always, but especially in the last month. And, as there is no lack of need for more gratitude in this world, I will take this opportunity to quickly and insufficiently outline mine here.

I recently traveled to Vietnam with my Father where, for the first time in 51 years almost to the day, we visited the sites of his war. It was a complicated experience, and my mind is still buzzing with the swarm of implications, emotions, and sensory details of it all. In the next little bit, I hope to find some clarity that will enable me to share this journey and what it meant/means.

Since returning, my upcoming multi-disciplinary art show, Convergence, has finished its call for artists and selected an incredible variety of works to exhibit. I cannot thank the artists who submitted work enough. It was humbling and invigorating to see the many ways people are engaging with both the perceived human/animal divide and the very real effects of the Anthropocene.

And just this past weekend, for Veterans Day/Armistice Day, my Father and I were humbled to put on a workshop/reading/conversation for veterans and their families. It was an intimate and powerful experience. I thank everyone who came out, shared their stories, and listened to our perspectives on how to use writing to convey experiences that can often be difficult to translate into words for the benefit of both the veteran and those who love them.

Both these events were made possible by the support of the Center for Creativity and I look forward to doing more work with them in the future.

Lastly, my Father and I were interviewed for Words on Air, by the OSU Center for Poets and Writers. We each read a bit of our work and spoke, briefly, on what patriotism and service looks like to us and how racism is antithetical to both (though no less common for it). I’m excited to share it with you as soon as it is live.

Thanks to everyone who made these events possible. And thanks to you for being interested.

Indigenous Peoples Day gift: “No Machine” live in Electric Literature’s Recommended Reading

A keen Indigenous Peoples Day to you all.

I am deep in the final stages of preparing for an international trip that will be the foundation of the next few months of my writing, but on my way out of town, I want to share my latest publication: “No Machine” in Electric Literature’s Recommended Reading.

It’s a little flash fiction and I’m thrilled to have it out in the world. Now, if you’ll excuse me, I have to make sure I have enough socks for the next couple weeks.

“Words on Air” live and Convergence Feature

I recently mentioned (here) that an interview I did with Susannah Sharpless of Graywolf Press would be airing on the new series “Words on Air” from Oklahoma State’s Center for Poets and Writers. Well, that episode is now live. It’s a casual introduction to publishing and the value of small presses like Graywolf.

Words on Air with Susannah Sharpless.

Also,  I’d like to note a recent feature from Mvskoke Media on the upcoming interdisciplinary, multi-media art exhibit I’m co-curating (mentioned here). Liz Gray did a great job accurately and efficiently introducing the show and some of the original thinking that led to its creation. I’m thrilled and grateful for the feature. And, more and more, I’m growing excited to see the work being submitted, though I know when it comes time to make selections, I’m going to have to make some very tough calls.

A part, not apart.

“No Machine” to appear in Electric Literature

I just got done signing the contract for a flash fiction piece that will be appearing in Electric Literature’s Recommended Reading this fall. Early indications suggest that it’ll appear in vol. 33 in October. One could bet their butt that I will announce it and link directly to the story once it’s out in the world.

The story draws heavily from my time working with captive apes and is another in a long line of attempts where I try to use fiction to capture elements of the personhood of nonhuman beings (apes here) that I couldn’t doing science. I demoed this story in February, opening for George Saunders for a reading here in Tulsa (mentioned in this post).

If anyone is interested in seeing what kinds of work EL’s Recommended Reading publishes, check out the fantastic, little post-apocalyptic flash piece, told in a single sentence, by my fellow TAFwriter, Simon Han, “How to Eat Well at the End of the World.”

After Action Reports- Veterans Workshop

The spring and summer of 2018 have been more focused on creating and submitting proposals for events and projects as they have been about actual writing. And as such, I’ve had little to show, publication-wise, for the year, but I’ve been able to create and participate in more events with my community here in Tulsa. That may not inflate my sense of writer-legitimacy, but I think it soothes the soul by bringing meaningful work to audiences who may or may not otherwise have access to it.

That said, another of the projects I’ve been preparing for has been announced and this one is near to my heart.

John Musgrave
John Musgrave— Marine, Poet, Father

After Action Reports is a joint reading/workshop for veterans and their families that I will be facilitating with my father, John Musgrave (recently featured in the Ken Burns Documentary The Vietnam War). This reading comes from two sources: my father’s writing (available here), which has always been a means of healing and processing for him after returning from Vietnam; and my strange relationship to his war, having grown up both utterly disconnected from it and yet intimately shaped by it. After Action Reports hopes to offer tools for how to make writing a viable tool for for veterans and their families, through the combined perspectives of a Marine Infantryman and his adult, civilian son.

For more information, including time, location, and dates of the event, please see the official announcement from the McKeon Center for Creativity.

Convergence— Call for Artists

Sunrise Hunt
“Sunrise Hunt,” Oil on canvas, by Yatika Fields 2018

I’m pleased to announce I’ll be curating a multi-media, interdisciplinary art exhibit and workshop this coming year at the Center for Creativity in downtown Tulsa. The show will examine humanity’s place in the world with a goal of challenging the commonly held western ontology of humans as separate from or special among the natural world. I will be joined as curator by one of my good friends, fellow Osage, and Tulsa Artist Fellow, Yatika Starr Fields. Yatika’s work is an inspiration to me and it embodies much of the aims of this upcoming show and I couldn’t have asked for a better collaborator.

As a part of the show, I will be giving a craft talk on how to be present in the natural world through photography and writing, using examples from my own process. From this workshop, Yatika will gather ideas for, design, and paint a mural that will live in the Center for Creativity.

The Call for Artists PDF can be found here: Convergence: Challenging Anthropocentrism.

For additional information, or to read the Call for Artists in html, please see here: Call for Artists.

To see more of Yatika’s amazing and moving art, you can find him at Yatikafields.com.