Sandwiched between a 48-hr form rejection and a 328 day form rejection, this little alumni spotlight came out from one of my various Alma Maters. When I noted the context of its publication on Social Media, sort of half humble-bragging my butt off, they threw my own words right back at me.
“That’s part of the game. If I could give any young writers advice, I’d say, ‘Just dive in, just do it, take your lumps.'”
I stand by that quote and also all my lumps. Do as I say AND as I do. Shoot your shot, writers. Always.
I have a lot to be grateful for, always, but especially in the last month. And, as there is no lack of need for more gratitude in this world, I will take this opportunity to quickly and insufficiently outline mine here.
I recently traveled to Vietnam with my Father (johnmusgraveveteran.com) where, for the first time in 51 years almost to the day, we visited the sites of his war. It was a complicated experience, and my mind is still buzzing with the swarm of implications, emotions, and sensory details of it all. In the next little bit, I hope to find some clarity that will enable me to share this journey and what it meant/means.
Since returning, my upcoming multi-disciplinary art show, Convergence, has finished its call for artists and selected an incredible variety of works to exhibit. I cannot thank the artists who submitted work enough. It was humbling and invigorating to see the many ways people are engaging with both the perceived human/animal divide and the very real effects of the Anthropocene.
And just this past weekend, for Veterans Day/Armistice Day, my Father and I were humbled to put on a workshop/reading/conversation for veterans and their families. It was an intimate and powerful experience. I thank everyone who came out, shared their stories, and listened to our perspectives on how to use writing to convey experiences that can often be difficult to translate into words for the benefit of both the veteran and those who love them.
Both these events were made possible by the support of the Center forCreativity and I look forward to doing more work with them in the future.
Lastly, my Father and I were interviewed for Words on Air, by the OSU Center for Poets and Writers. We each read a bit of our work and spoke, briefly, on what patriotism and service looks like to us and how racism is antithetical to both (though no less common for it). I’m excited to share it with you as soon as it is live.
Thanks to everyone who made these events possible. And thanks to you for being interested.
I recently mentioned (here) that an interview I did with Susannah Sharpless of Graywolf Press would be airing on the new series “Words on Air” from Oklahoma State’s Center for Poets and Writers. Well, that episode is now live. It’s a casual introduction to publishing and the value of small presses like Graywolf.
Also, I’d like to note a recent feature from Mvskoke Media on the upcoming interdisciplinary, multi-media art exhibit I’m co-curating (mentioned here). Liz Gray did a great job accurately and efficiently introducing the show and some of the original thinking that led to its creation. I’m thrilled and grateful for the feature. And, more and more, I’m growing excited to see the work being submitted, though I know when it comes time to make selections, I’m going to have to make some very tough calls.
This has been a summer of drafting and traveling, so the publication news has been sparse. However, I’d like to let everyone know that OSU’s Center for Poets and Writers is releasing a new web series, “Words on Air.” The series will be uploading new episodes weekly for at least the next couple months with more to come at a later date.
As a part of Tulsa LitFest, I had the pleasure of interviewing the illustrious Susannah Sharpless of Graywolf Press and this conversation will soon be released as part of “Words on Air.” My goal with the discussion was to provide an introduction to parsing the publication landscape at large and Graywolf Press itself.
If you get a chance, check it out. The series will feature some of my colleagues from the Tulsa Artist Fellowship as well as some of the best writers in Oklahoma.
In which I talk about (or at least touch on in a couple words):
Trying desperately not to become a writer and failing.
Why coming to Oklahoma didn’t sound like punishment.
How certain hobbies inform my writing.
Dealing with the international travels of my wife through application-mania.
The inherent privilege of teaching*.
*Although teaching is inherently a privilege, and I am inspired by my students on a daily basis, and, as with writing, I am not sure I could stop myself from being a teacher even if I tried, I would be remiss not to note, in solidarity with public educators, the current state of Oklahoma public teachers as the poorest paid in the nation.